Arkady Mazin wrote:
> > > poet? Tzoj - voobsche akyn tipichnyj. Grigorjan? Ah, uvol'te! > >
>Revjakin? Osobyj sluchaj, pozhaluj. Emu by mozgov pobol'she, s > > ego-to
>leksikoj i chuvstvom sloga - bylo by, navernoe, > > nelploho. A poka... I v
>tom-to i prikol,
> >
> Mojet ya naprasno na eto reagiruyu, no ne mog by ty poyasnit'
> > podrobnee pro Revyakina i ego mozgi?
>
>A ja vse tochno skazal. Chelovek igraet slovami, skladyvaet ih v
>bessmyslennye assotziativnye rjady. Uma za etim - nol'. Nu, i na lichiko
>ego mozhno posmotret', interview pochitat'.
Esli uzh na to poshlo, to "igra slovami i skladyvanie ih v
bessmyslennye assotsiativnye rjady" - eto tselyj plast v sovremennoj
literature. Ja ne hochu ustraivat' sostjazanie v vysokolobosti (ili
jajtsegolovosti), no Arkasha sam predlagal. Umberto Eko v "Zametkah
na poljah "Imeni rozy" ochen' horosho objasnil, chto takoe "novyj
roman" i po kakim printsipam on stroitsja. Esli ty takoj stil' ne
ljubish', to eto tvoje lichnoe delo, no ne nado schitat', chto "uma v
etom nol'". Kak raz naoborot, chtoby sozdat' assotsiativnyj rjad, kak
eto, naprimer, Eko delaet, nuzhno obladat' i umom, i eruditsiej
ves'ma nezaurjadnymi.
_____
Misha
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