Arkady Mazin wrote:
> > > poet? Tzoj - voobsche akyn tipichnyj. Grigorjan? Ah, uvol'te! Revjakin?
> > > Osobyj sluchaj, pozhaluj. Emu by mozgov pobol'she, s ego-to leksikoj i
> > > chuvstvom sloga - bylo by, navernoe, nelploho. A poka... I v tom-to i
> >prikol,
> >
> > Mojet ya naprasno na eto reagiruyu, no ne mog by ty poyasnit'
> > podrobnee pro Revyakina i ego mozgi?
>
> A ja vse tochno skazal. Chelovek igraet slovami, skladyvaet ih v
> bessmyslennye assotziativnye rjady. Uma za etim - nol'. Nu, i na lichiko ego
> mozhno posmotret', interview pochitat'.
Esli uzh na to poshlo, to "igra slovami i skladyvanie ih v bessmyslennye
assotsiativnye rjady" - eto tselyj plast v sovremennoj literature. Ja ne hochu
ustraivat' sostjazanie v vysokolobosti (ili jajtsegolovosti), no Arkasha sam
predlagal. Umberto Eko v "Zametkah na poljah "Imeni rozy" ochen'
horosho objasnil, chto takoe "novyj roman" i po kakim printsipam on
stroitsja. Esli ty takoj stil' ne ljubish', to eto tvoje lichnoe delo, no
ne nado schitat', chto "uma v etom nol'". Kak raz naoborot,
chtoby sozdat' assotsiativnyj rjad, kak eto, naprimer, Eko delaet, nuzhno
obladat' i umom, i eruditsiej ves'ma nezaurjadnymi.
_____
Misha
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